It's Tuesday, and still raining in the mornings and nights and sunny during the day.
Sunday night was Ellen Lesser's party, which was fun except that I fell down on those awful rock steps, wet, and in the dark. But no damage was done (and no, I wasn't drunk).
Last night they had a jazz band come in and an open bar. Several of us got up to read poems while Tony (the trombone player), the sax player, and the pianist did jazz riffs or various renditions as background. Everyone's work was so good heard that way. Near the end I finally let myself be talked into reading. I read "Dancing with Prozac," and I'd told Tony to play something black humorish and ironic. He did, though I have no idea what song it was. Kathleen began laughing so hard she was literally falling out of her seat, which made those around her laugh, and then I started laughing while I was reading. Cathy read a wonderful poem about her friend Jane not having a husband or even dates, and how all these men should be filling Jane's mailbox and answering machine with notes and calls and so on. And when Jane would finally get married all the other men would gather behind Cathy, holding their roses and boxes of candy, watching Jane drive off, all looking the same way. Droll and hysterical with that flat language and matter of fact tone.
Had my private conference with Baron yesterday, and it was much shorter than scheduled, which was okay. He said his instinct and based on the work I'd sent in was that I should really think about doing personal essays, that all the work I'd sent in could be "unpacked" and easily developed into essay form. He didn't imply that they weren't already poems or couldn't be poems, but that I might find the essay form a lot more freeing. I think I'll give it a try. God knows I write enough letters. Then we talked about JBH (my mentor), who Baron knows and likes.
Today's workshop was fun; we all laughed a lot. We're taking Baron out to dinner tomorrow night (our last day). I told him we were going to get him drunk and make him speak Latin. He gave the most extraordinary reading last night -- one of the best I've ever heard, and I'm not saying that because I like him. Two women from our workshop and I decided we'd do The Wave at him when he got up to read, but we all chickened out.
Tonight after the evening readings there's the "bonfire and ice cream social," only they've had to cancel the bonfire part because the ground's so wet. They mentioned Ben & Jerry's ice cream and we've decided they'd better not bring us any other kind of ice cream since we're in Vermont where Ben & Jerry's is located.
I called L yesterday to check on my babies. She said Charli bit her the first night, but she'd since warmed up and was happily playing and chirping, and that Sugar Franklin and the Bobbsey Twins were also doing great. And here I was hoping, in a way, that they missed me. Seriously, I suspect they do miss me, but L brings them lots of treats and they're certainly no fools about treats.
I found Antonya Nelson in the computer lab and asked her sign her book for me. This afternoon Sue Silverman is doing a lecture and I'm going to have her sign her book for me, too. Sue's Love Sick is an astonishingly good book, though it's subject matter is scary and risky. Antonya's book of short stories, Fun, is excellent, too.
And, of course, I bought two of Baron's books -- The Road Washes Out in the Spring: Living Off the Grid, which is good; and his chapbook about a made-up character named Carthage who's the prez of the US. And he graciously signed them for me this morning. I'm planning to read Off the Grid on the flight home.
Well, gotta go get ready for Sue's lecture on "Savory Metaphors."
Tuesday, August 12, 2008
Sunday, August 10, 2008
Saturday, August 9, 2008
Baron Wormser
Though I imagined he might have a royal emblem stitched on his shirts or something, he turns out to be a nice, intense middle-aged man.
He doesn't use the usual Iowa Model in the workshops. Instead, he has someone else read your poem, then he asks questions of the class (you have to be silent, of course). Where is the narrator in this poem and what, if anything, has happened to the narrator. Why is this a poem and not an essay? Where in the poem does the ending begin? And so on. Very intense and articulate. The class responds to this very well, though occasionally someone will slip back into "Well, I feel the image in this line should . . . "
I like his style.
We're doing one poem of each member each day. He said my poem of the day was more expository writing and that I should reconsider it as an essay. I was stunned because I would never have thought of that in a million years. It was not a criticism of my language or skill but just a different perspective. I can't wait to see what happens with tomorrow's poem (which is a poem and not an essay. I think).
Even though our poems are for workshop I've been surprised at some of the work. Some people simply cannot get to the heart of the poem, are not skilled enough in the use of language to make it say what you think you're trying to say. JBH always said you have to risk something in your work -- if you're not risking something don't bother writing. This is far, far easier said than done, but at least it's the right direction. But so many people use clever language and turns of phrases to skate over the emotion in the poem, as if language was a way to avoid any risk whatsoever.
And what can you say to those people? We all have our defenses and our own good reasons for staying out of those dark risky places -- but I don't think you can ever do good work, especially in poetry, if you don't get down to those dark and risky places. The skill in using the language is crucial, of course, but secondary to the risk.
Of course, I've had two whiskey and waters and can expound all night about poetry as if I were some sort of expert in all matters of art.
It's a beautiful night here, chilly with a half moon hanging in the sky.
My birds are at home, asleep by now. I wonder if they miss me -- there's not really any way to make a pet understand that you'll return to them when you have to go. They become accustomed to the daily absences, I think, but when a flock member "disappears" what is the parrot to think? In the wild, a disappearance means that the flock member is dead, lost, gone, never to return.
And what must they think when you return -- out of nowhere -- as if nothing has happened? It must be a shock, and good reason for the punishment they mete out on you. I wish I knew some way to make them understand.
Well, I think the thing to do now is go back to my room and have another drink.
He doesn't use the usual Iowa Model in the workshops. Instead, he has someone else read your poem, then he asks questions of the class (you have to be silent, of course). Where is the narrator in this poem and what, if anything, has happened to the narrator. Why is this a poem and not an essay? Where in the poem does the ending begin? And so on. Very intense and articulate. The class responds to this very well, though occasionally someone will slip back into "Well, I feel the image in this line should . . . "
I like his style.
We're doing one poem of each member each day. He said my poem of the day was more expository writing and that I should reconsider it as an essay. I was stunned because I would never have thought of that in a million years. It was not a criticism of my language or skill but just a different perspective. I can't wait to see what happens with tomorrow's poem (which is a poem and not an essay. I think).
Even though our poems are for workshop I've been surprised at some of the work. Some people simply cannot get to the heart of the poem, are not skilled enough in the use of language to make it say what you think you're trying to say. JBH always said you have to risk something in your work -- if you're not risking something don't bother writing. This is far, far easier said than done, but at least it's the right direction. But so many people use clever language and turns of phrases to skate over the emotion in the poem, as if language was a way to avoid any risk whatsoever.
And what can you say to those people? We all have our defenses and our own good reasons for staying out of those dark risky places -- but I don't think you can ever do good work, especially in poetry, if you don't get down to those dark and risky places. The skill in using the language is crucial, of course, but secondary to the risk.
Of course, I've had two whiskey and waters and can expound all night about poetry as if I were some sort of expert in all matters of art.
It's a beautiful night here, chilly with a half moon hanging in the sky.
My birds are at home, asleep by now. I wonder if they miss me -- there's not really any way to make a pet understand that you'll return to them when you have to go. They become accustomed to the daily absences, I think, but when a flock member "disappears" what is the parrot to think? In the wild, a disappearance means that the flock member is dead, lost, gone, never to return.
And what must they think when you return -- out of nowhere -- as if nothing has happened? It must be a shock, and good reason for the punishment they mete out on you. I wish I knew some way to make them understand.
Well, I think the thing to do now is go back to my room and have another drink.
Learning Something New Every Day
I've often wondered about parrots being used as service animals; now my questions are answered! I'm going to send this to my friend who runs PEAC, too.
http://aunaturalbirdnotes.blogspot.com/2008/08/of-pampered-parrot-rescue-and-parrot.html
http://aunaturalbirdnotes.blogspot.com/2008/08/of-pampered-parrot-rescue-and-parrot.html
Arrival in Vermont
Second day at Vermont College of Fine Arts in Montpelier, and it's cold! Here I packed nothing but tee-shirts and shorts and insisted on a fan in my room (dorms are not air conditioned) because it was supposed to be hot, and it's been raining and cold.
Not too much has changed in the 19 years I've been gone. Same beautiful town, dorms are in Dewey Hall instead of Noble, and the food is infinitely better.
Baron Wormser will, I think, turn out to be a good instructor. He said last night we weren't going to follow the typical Iowa model but would be using a more Socratic method, and that another classmate would read our poems out loud -- we wouldn't be reading our own work. I think these are excellent ideas and I'm looking forward to it.
Called L last night -- she got into the house okay and said she stayed about an hour. She said Charli bit her and Nicholas (probably) bit her. I apologized as if they were my children and hadn't been raised to be polite. Lord. She kindly reminded me that she has cockatiels and works as a vet tech and knows perfectly well that birds bite strangers -- that I needn't apologize. She's birdsat for me before, so she isn't exactly a stranger, but I'm sure they also remember her from the vet's.
I'm planning to sneak off after lunch, get a cab, and go downtown. They're not serving wine at the evening readings like they used to, and I could use a drink after a full day of this stuff, which means going to the state-operated liquor store. I'll miss a couple of lectures, but they're ones I'm not interested in anyway.
Subscribe to:
Posts (Atom)